Posts Tagged ‘louis vuitton’

Re:Fashion – Legal Issues in the Circular Economy

Re:Fashion in pink circle around Legal Issues in the Circular Economy

Resell. Recycle. Rent. The growing circular economy of fashion can extend the lifecycle of apparel and accessories, but the market innovations that are changing the way we wear are also raising new legal issues. Are there limits on using trademarks to advertise secondary market sales? Do post-consumer products raise consumer safety concerns? Is there a legal downside to upcycling? Join companies and counsel considering these questions and more at our upcoming Fashion Law Institute panel, "Re:Fashion - Legal Issues in the Circular Economy."

DATE: Thursday, October 25, 2018
TIME: 6:00-7:15pm (reception 5:30pm)
PLACE: Bateman Room, 2nd Floor, Fordham Law School, 150 W. 62nd Street
NYS CLE: 1.5 hours professional practice, transitional and non-transitional

SPEAKERS INCLUDE:

  • Julie Golden, ADAY
  • John Maltbie and Jana Checa Chong, Louis Vuitton
  • Allyson Tenney, U.S. Consumer Product Safety Commission 
  • Sonia Valdez, eBay
  • Gail Wheeler, Hermès

THIS EVENT IS SOLD OUT AND REGISTRATION IS NOW CLOSED.

If you have not registered and are a member of the media (with credentials) planning to cover this event, please email us at events@fashionlawinstitute.com.

“To C&D or not to C&D?”

Professor Susan Scafidi, Nicole Marra (Vice President, General Counsel, Corporate Affairs), James Donoian (Partner, McCarter & English) , and John Maltbie (Director of Intellectual Property, Civil Enforcement Louis Vuitton Americas)

If you missed our anniversary event — or would like a reminder of its key points — Laurel Marcus at DFR: Daily Fashion Report has a smart and fun write-up here! The article provides a comprehensive overview of the panel’s main points, and you’ll also read about Professor Scafidi’s tribute to the late Pierre Bergé and the connection between Taylor Swift and the Gucci jacket featured in the pic below — and for more pics from the event, check out the photo album on the Fashion Law Institute’s Facebook page!

Speakers' tote bags, including a Gucci bag with a snake

Nicole Marra in Gucci jacket with guests

Model Statement: Kudos to Kering and LVMH

The Fashion Law Institute applauds “The Charter on Working Models and Their Well-Being” issued jointly by the world’s two largest luxury conglomerates – and its challenge to the rest of the fashion industry to join them. This statement is the latest crest of a growing wave of concern for the health, safety, privacy, and dignity of fashion models that has included public regulation (in order: Madrid, Milan, Israel, New York State, France), industry guidelines (CFDA Health Initiative, Danish Fashion Ethical Charter), advocacy (Model Alliance, initially founded and directed with the assistance of the Fashion Law Institute), and the voices of current modeling industry insiders (notably and recently James Scully). Not since Vogue’s decision to cast only models 16 and over for the editorial content of its editions worldwide, however, have individual fashion-related companies put their reputations on the line and made such a public commitment to change.

The Charter is a comprehensive, standard-setting, buck-stops-here statement that has the potential to address the most difficult aspect of reform in the modeling industry, namely finger-pointing and the passing of responsibility. If designers say they cast U.S. size zero models because that’s who agencies send, and agencies say casting directors and fashion houses only select size zero “girls,” and young models are caught in the middle, it’s difficult to effect change. By stepping up and creating the Charter, LVMH and Kering – and their many influential labels – could help break the impasse.

Some aspects of the Charter will be difficult to monitor – the measurements of a U.S. size zero or French 32 vary from brand to brand and even garment to garment, for example – but collectively the provisions reinforce one another and reflect an understanding of models’ basic needs and concerns. After listening to models’ surprised and overwhelming gratitude when we offered something as simple as bottled water while casting a Fashion Law Institute show a couple of years ago, and previously seeing a model nearly faint after refusing to eat or drink backstage, we are convinced that even acknowledging the issues is a step in the right direction.

While the Charter’s creators can expect positive publicity, their joint statement actually carries significant risk. There are bound to be instances in which the Charter’s ideals are not met, and the sharp-eyed gaze of a thousand models’ mobile phones and social media accounts could potentially embarrass the companies. And in fashion, the most feared sanctions aren’t legal fines or even the potential for lawsuits – they’re negative headlines.

So kudos to Kering and LVMH for their ethical actions, and here’s hoping that other brands, modeling agencies, media outlets, trade associations, and individuals throughout the fashion industry will see them as role models.

Facing the Future of Wearable Tech

Louis Vuitton Tambour Horizon smartwatch

Louis Vuitton has announced its new Tambour Horizon smartwatch with Android Wear. Wearables, of course, are only one part of the fashion tech world, but they are perhaps the most conspicuous symbol of how technology is once again poised to remake not just design aesthetics, but law and social norms.

We’ll be discussing this in greater depth in our upcoming Silicon Valley Fashion Law Bootcamp, but for now I want to focus on what this highlights about what Professor Scafidi memorably referred to as “fashion as information technology.” Fashion has always been in the information business, from expressing the identity of both designer and wearer to the revolutionary role played by the Jacquard loom in laying the groundwork for modern computing. While collecting information has always been an essential element of design and commerce, the new fashion tech embodied in wearables and smart textiles connects the brand itself to the creator/wearer nexus. Clothes that once stopped communicating with companies upon leaving the shop now provide a continual pipeline of data, making fashion a quintessential information business.

With information equity rising in significance alongside goodwill and real estate, the potential for transformative change rivals that of early industrial machinery. We’re already seeing far greater potential for a net positive impact on the environment and health, a far cry from the world that gave rise to Dickensian deterioration and Marxist manifestos. Even with benign change, however, we can expect that the unprecedented access to data will give rise to new demands for regulation, which, like the aesthetic approach to technological design, will require an artful response.

Vuitton smartwatch modeled by Laura Harrier with caption, "Someone may change the world"