Posts by admin@fashionlawinstitute.com
Is Social Media the New Court of Law for Fashion Copycats?
MarketWatch
“Most of the time, however, indie designers have little legal protection and instead have to appeal to social norms against copying,” said Fordham University law professor and fashion legal expert Susan Scafidi. “In other words, they have to try the case in the court of public opinion and hope that social pressure forces the alleged copyist to do the right thing.”
7 Signs You Are Buying A Counterfeit Product
Kiplinger’s
Professor Scafidi joins Real Real authentication director (and Fashion Law Bootcamp alum!) Graham Wetzbarger in discussing how to identify fake fashion.
As sophisticated as counterfeiters may be in replicating high-demand products, there’s usually at least one giveaway if you look closely enough. Anything that looks sloppy, such as uneven stitching or sloppy edge dye, is a telltale sign of a fake, Scafidi says. Counterfeit products are designed to fool the eye — not the fingertips … .
Protected: War Paint Readings
War Paint
CLE on Broadway!
SOLD OUT!
If you would like to be placed on the wait list, please email events@fashionlawinstitute.com
Based on the story of the rivalry between cosmetics pioneers Helena Rubinstein and Elizabeth Arden, War Paint just might be the first musical ever to explore the history of beauty industry industry regulation though songs about Senate hearings, rights of publicity, and trademarks in colors. Join us for a musical matinee and exclusive after-show CLE talkback with legal experts and members of the production!
TIME: Wednesday, June 7, 2-6pm
PLACE: Nederlander Theater, 208 W. 41st St. (between 7th and 8th Aves.)
NYS CLE: 1.0 hour professional practice,
transitional & non-transitional
TICKETS: $149 per ticket (includes front-mezzanine seating and CLE, including talkback with members of the production)
We look forward to seeing you there — to secure your tickets by our deadline to confirm, please order by noon on May 22!
REGISTER NOW!
Post #3617
Fashion Law Bootcamp Remainder – New York and Silicon Valley
Symposium Round-ups
At the Fashion Law Institute’s 7th Annual Symposium, speakers highlighted an array of cutting-edge developments that could have a substantial impact on the fashion economy in the U.S. and abroad. To address these issues Congresswoman Carolyn Maloney discussed the state of the American fashion sector and called for a comprehensive new lobbying effort, bringing Washington and the fashion world together to design laws best suited to helping the American fashion industry survive and advance.
For more, check out this WWD account of Congresswoman Maloney’s proposal and the symposium rundown in Look Online: Daily Fashion Report, which also provides a summary of each of the day’s panels.
And vsit the Fashion Law Institute’s Facebook page for a complete set of photos taken throughout the event!
Fashion and Government Need Closer Ties, Maloney Says
WWD
WWD reports on Congresswoman Carolyn B. Maloney’s call for a new dedicated fashion industry lobby to address the cutting-edge issues raised at the Fashion Law Institute’s 7th Annual Symposium, Fashion Revolutions:
Maloney’s solution: an official fashion industry lobby.
“You’ve got to start an organization that represents all of you and that represents your interests because you’re artists, you’re working all the time, you don’t have time to go to Washington D.C. and tell us,” Maloney said.
Without a lobby and a consensus on some core priorities, Maloney said the fashion industry faces an uphill battle, including with the Garment District rezoning.
“If you don’t become [a lobby] and fight for it, you’re fighting against real estate companies that have billions and billions of dollars and you’re going to lose.”
Berets and Revolution
Our Fashion Revolutions volunteers wore berets bearing the Fashion Law Institute’s award-winning logo — and iD magazine has this to say about the beret’s history and significance as a revolutionary symbol for our today.
Ironically, though, the beret’s most famous wearers have almost all been revolutionaries. In 1960, photographer Alberto Korda captured Che Guevara in Guerrillero Heroico, his most iconic portrait, wearing a black beret embroidered with a commander’s star. The image, which continues to decorate college dorm rooms to this day, cemented the beret as a symbol of resistance. The Black Panther Party also harnessed the hat’s power in the 1960s, claiming it as part of their much-photographed de facto uniform: black beret, black pants, black leather jacket. The Young Lords Party in New York wore purple berets, and the radical Chicano Brown Berets took their name from their signature caps.
And when Beyoncé played the Super Bowl halftime show in 2016, her backing dancers wore black berets in homage to the Panthers, their arms raised in a black power salute. Rudy Giuliani called the performance an “attack” on the police during an appearance on FOX News, and departments throughout the country discussed protesting; other viewers praised the icon’s show of solidarity with the Black Lives Matter movement.